There was a time around the turn of the millennium when Eminem was on top on the world - not just in rap, but he led the entire music industry. His albums were consistently at #1 despite boy band / girl group pop dominance, and he took it upon himself the use his tide to rise everyone in his orbit who deserved it, notably via D12 (a.k.a. The Dirty Dozen), a collective of talented artists that also included Proof (deceased in 2006), Bizarre, Denaun "Mr." Porter (a.k.a. Kon Artis) , Kuniva and Swifty McVay (the latter two keeping the mantle alive to this day); Obie Trice was a fequent collaborator.
Many of these rappers, like Eminem himself, mixed wit, sarcasm, and humour with astute observations of difficult upbringings to create a brand of hip hop that was relatively unique in the mainstream, with Bizarre being the one who would usually push the boundaries of good taste with off-kilter references and associations, such as:
I'm not bisexual I'm an intellectual, transsexual, with one testicleor
And I ain't saying shit just 'cause it rhymes, I got colon cancer - I'm dying
There’s no way I could be the gay rapper: I only fuck animalsShock value was his calling card.
Cut to today, where he doesn't seem as alert as he used to be (his speed has slowed to a Notorious B.I.G. level), is still prone to mixing the funny with the braggadocio and reality-based texts, but with more cultural references and a lot less in-your-face shock. His new song Mercy is the second single off of Don't Cross The Street and is much better than the previous one, Amityville 2: This was directed by ad agency Mic Drop Media.
